21.8.11

Chapter 4 - What is an Arse-comber? - Interview with John Thomas Dick Jr, PhD


You readers have often heard Roady talk about arse-combers and arse-combing in his drunken and cynical rants, but he has no doubts that very few of you know what an arse-comber really is. So in an attempt to define and clarify arse-combing in a clear, erudite and consensual manner, I have granted him the privilege of travelling to Baltimore to interview Professor John-Thomas Dick Jr. Professor Dick Jr is chair of the department of cultural studies at Johns Hopkins University and has researched extensively on the phenomenon of arse-combing. His ground-breaking book The Dialectics of Arse-combing – a critical re-assessment of the post-modern alternative (Oxford University Press, 2009) offers a penetrating account of what makes an arse-comber in society through a cross-field perspective of history, sociolinguistics, psychology and comparative literature. With a genuine hope that this verbatim transcript will incite you to read the book, here are some Professor Dick's key findings.

Roady: Professor Dick, first of all, many thanks on behalf of myself but also my readers who have only a vague idea of what I really mean by arse-comber.

Professor Dick: Not at all, Roady. The pleasure is all mine. And please call John-Thomas!

R: All right, then, John-Thomas. My first question is quite straightforward. You began taking interest in the phenomenon of arse-combing quite a few years ago, as I understand. What is it that brought you to this fascinating subject?

JT: Well, actually, my interest in arse-combers goes back way longer than you'd think. I did start actual researching about four years ago, but my initial questions and thoughts go back to when I was an undergraduate student at NYU. We had this local film festival and one guy had made this zombie flick that I'd really enjoyed. You know, the B-grade, tongue-in-cheek type movie where the special effects are corny, but you forgive them because they're full of goodwill and low on budget.

R: A bit like George Romero's early stuff?

JT: Oh, dear God, no! That's highly sophisticated in comparison! Anyway. So, after the film, I went up to him and told him I'd enjoyed his film and we sat down at the local university bar and had few beers. I told him that I was also into these kind of movies and that I did a bit of scriptwriting myself. “Oh, yeah, he says. Nice. Maybe we should get together and discuss this a bit more, right?” So, I revised my script and the week after, we met again and gave it to him and met again the next day after going through it. And to my astonishment, he thought it was extremely cheesy. There were a few ideas for shots that he found good, but the script – a story of a group of kids who get slaughtered in the woods by vicious school teachers – he found really tasteless. At first, I was really disappointed and found it a bit humiliating. But after a while, I thought: “now wait just a minute! What is this guy's problem?” And then I realised that what I'd taken for a tongue-in-cheek movie was in fact intended dead serious!

R: Gosh!

JT: Yeah! The guy thought that he'd made something really sophisticated and deep, when, in fact, it was really corny! So I thought, how can he take his stuff so seriously?

R: Do you know what became of him?

JT: Oh, well, it's going back a few years now, but the last time I heard he'd managed to get a scholarship in cinema at Berkeley, I think it was, so unless it was a joke, someone must have thought he had talent!

R: So is that when you began to formulate your key concept of the “broken mirror”?

JT: That came a little later, but that story was the premise, yes.

R: Could you explain the metaphor of the “broken mirror”?

JT: Sure. You've all seen a broken mirror, right? If you need to shave or to brush your hair, it's not convenient. It's not an accurate reflection of reality. The arse-comber, then, systematically uses a broken mirror whenever he needs self-examination. The broken mirror suddenly becomes very convenient. Because the mirror image is never going to be accurate, the arse-comber can interpret it the way he wants and never thinks that he could look silly.

R: By silly, you, of course, mean taking himself too seriously.

JT: That's right. That is the key concept to understand arse-combing. The arse-comber never takes a look in a regular mirror.

R: Why is that?

JT: The factors are manifold. In some cases, he is just scared to look at himself in the mirror because he might find out that he is a phony. The broken mirror can be a form of self-denial. In other cases, if the arse-comber is part of or at least very close to a reasonably large group of arse-combers, then the group solidarity factor overrides any form of self-criticism.

R: A bit like a group of religious or political activists?

JT: Yes. When the truth becomes absolute within the group, there is no need to question your deeds.

R: This is, I think, the main factor.

JT: Oh, definitely. The feeling of being in the right and not caring what others might think of the arse-comber.

R: The origins of the word “arse-comber” are disputed. When was the first time you came across the word?

JT: It was an article in the New York Times about an artist from the Haight-Ashbury who was suing one of his models because she'd called him an arse-comber. Some academics like Dick Johnson or Fannie Beaver trace its origins to the post-war Bohemia in the East Village, but I have found some evidence to support Peter Shaft's thesis that it began in New Orleans, probably in the late 19th century.

R: The French connection you refer to in your book.

JT: The French writer Louis Pergaud, who wrote la Guerre des boutons (the War of the Buttons) in 1913 uses the word “peigne-cul” (arse-comber) as an insult in his novel and, according to Professor Désiré Dugland at the Sorbonne university, there is evidence that the expression appeared in the late 18th century French countryside.

R: So it would mean that the word is a cultural import.

JT: Yes, that is correct. Towards the end of the 19th century, there was still a sizeable French-speaking community in New Orleans that may very well have literally translated the expression. “Peigne”means comb in French, and “cul” is arse. So it's someone who combs an arse, an arse-comber.

R: Other scholars have since refuted your thesis.

JT: Oh yes, absolutely and it has been a source of embarrassment. Here in America, an “arse” is of course an “ass” or a “butt”, but not an arse. If the word “peigne-cul” had been translated literally into American English, then it would most likely have become something like “ass-comber” or “butt-comber”.

R: So what do you make of this?

JT: The sociolinguistic and historical work undertaken by Konrad Bigtitz and Joseph Bollocks certainly does a good job challenging my views. Right now, I'm investigating the possibility that some wealthy French families were employing British tutors for their children, which was a fashionable thing to do in those days. Maybe one of them translated the word literally. But for now, it's all quite hypothetical.

R: Well, we hope to hear from that front very soon. Without getting too technical, could you give a few examples of some of the key arse-combers you worked with during your fieldwork?

JT: I'll try and keep it simple! An endless source of arse-combers can be found in the alternative and indie rock scene. Those who vaguely have some kind of audience often think the world of themselves and that they have talent. Often, their music is neither good, nor bad. It's just nothing new. But they really think it's great, when it's just plain average.

R: Do you support your claims with aesthetic arguments?

JT: Yes, but also with more down-to-Earth evidence, such as comparing a garage rock band with early Nirvana. It's speaks a lot more than speculative philosophical arguments. But I have tried to offer both approaches.

R: Any other important characteristics?

JT: As I said earlier on, the main factor is the broken mirror. But they can often be very flamboyant, eccentric and emotional, and feel compelled to share their feelings with other people, who never asked for it.

R:Also, and quite surprisingly, they seem to listen to their music only.

JT: How about that for a paradox?! An artist should presumably want to listen to a rather broad spectrum of music, in order to find inspiration. But the arse-comber seems to find inspiration within his own art, and not elsewhere.

R: You also argue that the arse-combing musician is not interested in music for its own sake. That is quite a statement!

JT: Not really. The arse-comber is essentially self-centred, so he is interested in music because it gets people to admire him. To this effect, he will be interested in offering merchandising such as t-shirts, badges or hooddies. He will even be happy to wear them, hoping that people will ask him about it. He would rather spend the better part of his day updating his facebook or myspace accounts, than making new, original songs.

R: You have also spent considerable time working with academics, which could, at first, seem quite surprising.

JT: Indeed. But academia is full of arse-combers, if you know where to look for them. Try comparative literature, philosophy or generally any subject that enjoys using the words “post-modern”, “paradigmatic”, “dialectical”, or “sub-textual” and you'll be in business! One of my undergraduate students once came up to me and told me that one his lecturers had given them Orwell's “Politics of the English Language” as part of their coursework. Great read, by the way. It tells you to systematically use short, simple, English words instead of long, pompous and French/Latin/German words. But the irony was that his lecturer was precisely using these pompous words, such as “auteur”, “montage”, “oeuvre” or “doyen”!

R: John-Thomas, we are unfortunately running out of time. My final question, then, is quite provocative. I have noticed that throughout your talk, you always used a male gender-qualifiers for your examples. Isn't that a bit offensive to women? It's now a widely-accepted convention to use “he or she” instead of “he”.

JT: I was secretly hoping you'd spot this. The reason is quite simple: the vast majority of arse-combers are males. Whilst I did come across and interview some females, they were just not as interesting as their male counter-parts, so I have boldly – and provocatively – generalised on that basis. I do, though, leave a door open at the end of my book, by saying that a female-specific analysis would be most welcome in this rather new sub-field.

R: I hope some of your post-graduate students will give it some thought. John-Thomas, thank you for a most interesting talk.


Copyright by Roady, 2011

Chapter 3 - The Funny Phonies and the Freaks - Afterword

Phonies, pseuds, wannabees, frauds, rip-offs, cornies, fakes, conmen – call them whatever you want. Those who think taking one step back is enough, when the exact number of steps would probably be closer to -∞, have without a doubt missed the point. The greatest irony is that they are too often full of goodwill and believe that they have eluded the traps of the post-modern1 consumer society, confident to have found truth.
The reality is, of course, a bit more complex and I would like to add on a very personal note that it would be simplistic, comforting and cynical to just dismiss them as enemies of art. Taking cheap shots at the alternative cultures will not get us anywhere. Jean-Claude Van Dam's philosophy might be a gas to us who know better, but it is still an attempt to seek and speak the truth. Let us at least grant them that.
On the other hand, there is much to be pondered when it comes to discussing the issue of arse-combers, who also believe one step is quite enough and blossom in their alternative way of thinking. Arse-combers come and go. They bore you, they entertain you, they most certainly never ever move you. But wherever you go, there's always a decent chance you'll bump into one, eventually. And they usually introduce you to more arse-combers, whose behaviour can be exuberant, extravagant and flamboyant. But I still contend that their greatest sin is that they take themselves way too seriously and do not have the hindsight to come to the conclusion that they might look and sound like pompous arse-combers.
So if by now you haven't got the message, then there's a good chance that you are an arse-comber yourself, that enjoys going to all those pricey, alternative venues, where you think there is so much truth and authenticity that you leave your judgemental faculties in the locker room with your trendy alternative coat.
1I use this word to deliberately take the piss out of myself. 

Copyright by Roady, 2011

Chapter 3 - The Funny Phonies and the Freaks - Part 3


To get a glimpse of what the life of a Roady is, I'll fast-forward and skip the hungover afternoon we spent after the night the Drunk Monks played. This is not because nothing noteworthy occurred then, nor is it because I'm a lazy and lousy journalist.1 Rather, it is a way of showing the reader that there comes a point when a Roady sees his humble existence going in circles. Night after night, Roady helps set up the equipment, drinks cans of lager to kill time, watches the same gig over and over again and gets blasted out of his head. All other considerations wane, the everyday troubles of existence and the routine of getting up and doing things to kill time simply disappear and make way for that moment he enters a new venue, wondering if he'll be able to get loaded free of charge and if there'll be any arse-combers to entertain him or bore him to tears, depending on his state of mind. Think of it as cliché or an exaggeration; believe me, I have often wondered what life must be like going on tour with the Drunk Monks for several weeks – let alone several months. To get trapped in an endless spiral of boozing and entertaining, of sound-checking and luggage-carrying, of laughing, whining, while hardly ever sleeping is the nearest path to putting on a suit and getting a real 9 to 5 routine, when week-ends seem to matter again, when you actually enjoy getting wasted on those precious nights.
So let us get to the point. I was getting seriously tired with these gigs and managing to sleep 4 shitty hours on average each night. I was not particularly hungover, but I was ready to bugger off the next day and stop being a Roady for a few months – I was flying out the next morning. Needless to say that Archibaldo was in a terrible state when we arrived at the venue. His complexion was pale-grey and his eyes were small and swollen, akin to a pig's back-passage. He remembered very little of he previous night and kept saying that he'd never drink again. He told Shaggy the Camel and Venetian Blinds that the Jerusalem Artichokes would only do a short set and bugger off, because he wanted an early night and because it was a shit venue that did not have the courtesy to give away free booze, let alone a nominal fee for public transports. The three of them were a bit pissed-off at Bruno Parmigiano for organising this date. He naïvely thought that as long as the Jerusalem Artichoke managed to get a gig, everyone would be happy. “This is the last time I'm doing this, said Shaggy the Camel. Fucking about in public transports with all our gear and getting fuck all in return. What a bunch of tight-arsed Jewbags.” As usual, Bruno was late, so we reluctantly decided to check in and see what the deal was.
The venue was quite big, with an open courtyard where you could sit to some big wooden tables. They had a place for DJs and another for ordinary alternative concerts. We managed to find our way through the back door and found the bloke in charge of the gigs – a puny, pompous-looking Japanese bloke called Motorola. There was another band doing their sound-check called “Tour Eiffel en tu Gata”,2 some kind of electro disco band. I immediately disliked the lead singer who looked pretentious and full of himself. He was very tall and thin, and a massive curly mop of hair, which looked like a wig from a distance, sat on his head. For some gut reason, I've always found these hairstyles extremely suspicious. There's something very narrow-minded and latently aristocratic about it that has always made me want to grab these people by the feet and ram their sorry heads down a crapper to put their mops to good use and wipe the smiles off their faces.
They finished their sound-check and the Jerusalem Artichokes did theirs, while I impatiently sat in a corner of a room, bored shitless and almost nodding off. The beer was outrageously overpriced so, I had to wait for them to find an off-licence in the neighbourhood. It was going to be a long and tedious evening.
We found a corner shop and loitered around sipping beers. The cheap lager appeared even more tasteless than usual and seemed to build up more marshy gas in our guts than it had in the previous few days. We did it to kill time, hoping something would happen. But it was Sunday night in a part of town that reeked of fancy alternative entertainment, and the alcohol only made us more cynical and contemptuous. “This is like watching paint dry”, said Archibaldo, who had already forgotten his pledge to a dry lifestyle and was getting stuck into his second beer. We all concurred and wandered around the area, not knowing any better.
Eventually, we headed back to the club and found a young drunken shithead sitting to a table in the courtyard, looking obnoxious and ready for trouble. As he noticed that we were stuffing beers down our pockets to smuggle into the venue, he joked that his beer was empty. “So?, asked Venetian Blinds in a scornful tone. Call Paul Daniels and he'll pull a new one out of a hat.” But the young dick became irritable and claimed that we should spare him one. We all laughed sarcastically. Shaggy the Camel came up to him and gave him a reality-check. “This isn't Disneyland. Get some proper friends to share their drinks with you!” So the other bloke got up and staggered towards Shaggy who remained there unimpressed. I decided to get involved. “Come on Shaggy, leave it here.” But the other one started pushing him around, and I got in between them the prevent things from boiling over. Luckily, they both saw the big black bouncer patrolling the courtyard and retreated, Shaggy sniggering victoriously.
At long bloody last, the band walked on stage and played for about thirty minutes. Archibaldo was still awfully hungover and played like a one-armed penguin on crack, but, like the previous two evenings, nobody noticed or cared. After the show, Motorola, the prat in charge of the evening, grabbed the mike and said how great the show had been and that they would definitely want them to come back again. The Jerusalem Artichokes quickly packed their gear to make way for the next band. Archi looked like he'd just come back from a trip to Mt Everest. “Thank fuck we're done with that.” He grabbed my beer and sucked at it.
For some odd reason, the rest of the crew lingered around the bar, waiting to see what Tour Eiffel en tu Gata had to offer. Unsurprisingly, the lead singer was the star of show – the element of the band that gave it artistic direction and a collective identity. He was creamy and flamboyant. We all stood there watching him twist and turn on stage and kept telling each other how very irritating we thought he was. He seemed like he was suffering from some kind testicular condition, forever bending over as if in utter pain. But he was, of course, deeply into his art. After five minutes, Bruno Parmigiano – who had ended up turning up ten minutes before the Jerusalem Artichokes were supposed to kick off – buggered off, seeming almost furious.
After the gig, we found him outside with a group of his mates - not too far away from the dick-head who had previously attempted to scrounge one our beers. “So, I take it you're not too fond of their stuff, then, eh Bruno?”, I asked him. He gestured and waived his hands around in despair to indicate how atrociously boring he had found their stuff. “Why do zey play sduff like zis? Iz was okay in ze eytizz, but iz jusd ze zame thin over an over again. Come on! Iz no identity! Iz juss imitation!” A little harsh, perhaps, but then the band deserved bad marks just for its lead singer, so I ended up agreeing with him.
We went back inside just as Tour Eiffel en tu Gata were playing their last song. It was a fairly long one, too, and after five minutes, we realised that the staff was beginning to pack up, because the joint was reaching closing time. Employees behind the bar were stacking crates of empty bottles and cleaning all sorts of shite. More interestingly, Motorola was waiting anxiously in front of the stage. I did not understand, until someone else switched on a massive neon light above the stage, in order to politely tell the band that it was time for them to fuck off. Although their lead singer was an arse-comber, I felt sorry for Tour Eiffel en tu Gata, who, to their credit, pretended not to notice and kept on playing.
The farce went on for another few minutes. They finished playing and the lead singer began saying thanks for coming, but bugger me with polo-stick if the sound engineer did not kill the sound on stage. The poor fucker was embarrassed and shocked, but Motorola did not give a flying shit about it and told the crowd how great a band they were and how he thought they had talent. This was over the top. When you organise a gig and book bands to entertain the bored ants who still come out to see them, without giving them a single peso or free beer for their trouble, the least you can do is let them say what they have say, even if your boss is a little uptight about closing after hours. “What a fucking Nazi!”, said Shaggy the Camel. We had, indeed, rarely seen so much loathing and disrespect for artists, no matter how corny they were.
We started grabbing our gear from backstage and bringing it out by the car park, where Bruno's girlfriend was waiting to take away our stuff. While we were doing this, the doorman came inside and kept telling us to bugger off out of the joint – even slightly pushing Archibaldo around because he was doing everything in slow-motion. At one point, I found myself carrying some shit with Venetian Blinds and the moment we walked out through the back-door, a member of staff who seemed keen to head back home ASAP, locked the door from outside, where Archibaldo and Shaggy were still gathering their gear. “Hey, our friends are still in there, you fascist!”, I belted. I heard a bang on the door from within and recognised the muffled voices of the rest of our crew. She became defensive. “Sorry, but this door must be locked after one o'clock! I'm just doing my job!” “Well, isn't that what Adolf Eichman said?!”, I spat out. She looked at me, scared, not knowing what I was on about, but unlocked the door nonetheless.
Soon after, we grabbed a few beers at the off-licence, feeling that we needed to celebrate, having fled this ghastly place. Bruno Parmigiano's girlfriend had some neighbours who were having a medium-sized party and we decided that we all needed some proper entertainment. Although deep down I wanted to crash and fall into a heavy rejuvenating sleep, I was so pissed-off by those alternative fascists that I was desperate to return to civilisation and interact with decent and honourable human beings, far away from arse-combers.
The place was in some kind of old warehouse that had been turned into a loft. The walls were barren, displaying greyish concrete and the floors were covered in industrial carpet, which made it look slightly inhospitable – it was almost like walking into an office. Still, we arrived in the living room, where several people were sipping beer and smoking Afghani hash, sat down and cracked a few tubes. Venetian Blinds immediately smelled the strong aroma and became friendly with the hosts, hoping that he would scrounge a few tokes.
One of the hosts, an Irish bugger called Paddy O'Murphy, was the centre of all the attention, bragging about how he was going to buy an old derelict warehouse and turn it into a fancy club. Here we go again, I thought. I switched over to Venetian Blinds, who'd managed to get a hit of the hash. He looked stoned, but the stuff also seemed to magnify all his accumulated fatigue of the past few days. “Try some of this, Roady. It's good for the soul.” Archibaldo kept drinking more beer, as if his life depended on it, and simultaneously stuffed himself with crisps and peanuts. Shaggy the Camel and Bruno, having slept and remained sober for a much longer period than the Drunk Monks and myself, looked a lot fresher and more composed, and convincingly managed to feign interest in Paddy O'Murphy's monologue. Oddly enough, the other guests seemed genuinely fond of him and kept asking him all sorts of questions, as if they were really interested in his entrepreneurial scheme.
It went on for a while. I just drank more beer, smoked hash and talked about our past evening with Bruno Parmigiano and Venetian Blinds, until I realised that Paddy O'Murphy had changed subject. Like the Geiger counter makes more noise when the setting gets more radioactive, my arse-combing detector started beeping louder when the conversation shifted to Youtube videos. Paddy thought that having parties where people take it in turns to choose a Youtube video was a fun and original idea. “See, if someone knows, like, a really cool video of a baby chipmunk doing somersaults, then I just grab the laptop and a few clicks later, bingo!”, he said with a hand clap. Archibaldo, who by now had had quite a few, did not want him to get away with such bollocks: “Wow, that it so alternative! Would you, for instance, play a video with arse-combers during a party?” He was not sure he understood well. “Well... We wouldn't play any porn, if that's what you mean. But funny and cool videos on Youtube are a great way to spend an evening with some mates, you know? Like, when you see a buffalo sneezing on a Pygmy?” Shaggy decided to get involved: “You must be struggling for good conversations with your friends if you're going to spend the evening playing videos!”
I lost track of the debate when young and specky sociology student from Panama tried to get me to talk about my country, etc. Where was I from? What was the weather like? What were the women like? I answered politely, while simultaneously sucking at my beer. Then, cracking a new one and taking a swig, I was suddenly hit by a shattering epiphany, realising there was something terribly wrong. It must have been around four in the morning. I'd had enough beers to knock out a Siberian caretaker, enough splifs to send the ghost of Bob Marley back to its grave, I was not even particularly tired. Nonetheless, I put down my beer and told my newly-found friend “It's all yours. I'm crashing.”
The reasons I did so still elude me to the present date, but I can at least speculate that I was extremely weary. Not tired, nor drunk, nor stoned, but my body had had enough and was sending signals to my pallet and throat, telling them that the stuff I was pouring and smoking was having no effect whatsoever. Maybe I'd gotten sick and tired from seeing too many arse-combers in a single week-end. Perhaps it was also because I had gotten stupidly drunk over the past few days, who knows. Label me blasé, party-popper, or spoilsport if you will, but nonetheless, I believe I had gotten to the point where the exercise becomes futile, when one reaches this paradoxical and anti-climactic state of finding oneself with unlimited quantities of party equipment, no longer deeming it a valid form of entertainment. It was an unprecedented sensation and I did not like it.
1Although some of my better-read readers will contend that I have just ran out of steam and that I'm getting sick and tired of going on writing this bullshit.
2During the afternoon, Venetian Blinds, Archibaldo and Shaggy the Camel had seriously pondered cancelling the show because it was going to be crap. In the end, they didn't, but interestingly, two of the four bands that were supposed to play were rational enough to bail out at the last minute. 

Copyright by Roady, 2011

Chapter 3 - The Funny Phonies and the Freaks - Part 2

The next morning, Venetians Blinds, Archibaldo and myself woke up in an unfamiliar environment. The room we had all crashed in the previous night was the place where some of the room-mates stored their various sculptures and paintings. A large canvas displaying a colourful bombardment of dots and splashes was stuck to one of the walls, right above the clapped-out window that had been slightly left open throughout the night, prompting the automatic radiator to blast out more heat than was necessary. In one corner, one could see a large, threatening metallic structure that could only be described as a hybrid between a Jack-in-the box and the Venus de Milo. The ceiling had been painted pink, with what looked like a disturbing portrait of the late Dennis Hopper in its centre.
We got up and went to the kitchen. Bobnar Lukewarm-Chop had gotten up before the rest of his crew and was cleaning up the battlefield, with a pot of coffee on the stove, ready to be poured. He looked haggard and in no shape to entertain, but kindly invited us to stop and have a cup with him. Archibaldo was quite hungover and gladly sat down. While Bobnar collected all the empty cans and disposed of them in a large plastic box, we all had a refill and then wondered what had happened to Shaggy the Camel. Bob did not have a clue: “I got quite drunk and I don't remember much.” We smiled. “Maybe he's upstairs with some dirty lady,” I ventured to suggest. Archibaldo smirked: “or with Stavros Justakis.” Bobnar looked up from the container and his frigid face seemed to frown, thinking the joke of bad taste. We thanked him for the party and went out to get some breakfast.
We had a few hours to kill before the gig, so we wandered around the neighbourhood looking for a nice place to chill out. Eventually, we found a charming organic café that struck me as friendly and quiet – old wooden floorboards, paintings on the walls and even a piano in one corner. But Archibaldo was not too sure about the place. “Hmm... Methinks it will be full of bobos and trendies and that it will be pricey.” But seen as we were all getting quite hungry, I managed to convince them to make a move.
We started off with some freshly-made organic orange juice that instantly hit our worn-out brains and almost immediately lifted the veil of alcohol and THC that had burdened our existence throughout the morning. Following that, we had a massive falafel stuffed with all sorts of vegetables. Venetian Blinds, in particular was tying into his food like a ravenous ogre. “Beats the usual coke and chips. Fuck, this is awesome.” We all scoffed our food in silence until a middle-aged lanky bloke approached us. “You guys are Danish, right?” “No,” answered Archibaldo. But he refused to believe him. “Ha, you Danes have so much humour. I can recognise Danes anytime, anywhere.” I looked up from my plate and stared at him. He was wearing big, thick black glasses and one of those old-fashioned caps that only granddads typically wear, but are nowadays rather fashionable amongst some segments of the younger populations. Although it was probably part of his style, he needed a shave, and his hair had also been deliberately left scruffy and untidy. Wrapped around his neck was colourful chequered scarf.
We kept on chewing away, wondering what would come next. “You guys are also musicians, right?” “No, I answered before swallowing a large mouthful of falafel. We're nihilists. We don't believe in art. Buzz off. ” The tone was rude, but he laughed nonetheless. “You sound like a funny lot. We should get together one day and jam. I'm always looking for musicians.” We ignored him and eat our food. “Well, I have to get going. I have to go and buy a new set of strings for my guitar.” He dug into his pocket and produced a small business card. “Here. Call me and we can improvise some jazz. Nice meeting you guys.” We all nodded, but it did not distract us from our falafels. He left and Archi muffled a burp with his napkin. “Your round tonight, Roady.” I finished chewing a mouthful and enquired what he was on about. “I told you we'd bump into one of them in this kind of place.” Venetian Blinds agreed. “Archi's right. I don't like getting my arse combed first thing in the afternoon.”
I ignored their taunts and changed the subject. “I trust you enjoyed your food. You want to be in good shape for tonight. What's the scene going to be like?” But Archi knew little about the venue: “Well, it's a bunch of people who had the idea of doing up a big warehouse and turning it into a club that does concerts and performance art and whatnot. I think it'll be reasonably trendy, but also reasonably interesting.” After last night's fiasco, I was convinced anything would do. “Do you think they'll give us free drinks on this one?”, asked Venetian Blinds. The moment he said that, I gazed at Archibaldo intently, waiting for a give-away. Whether he knew I was preying on his lies, however, I could not tell. “They said they would”, was his answer. He picked up his napkin and wiped his greasy chin.
Venetian Blinds paid the bill and went for a quick piss, while Archi and I walked out and found a nearby bench to sit on. We felt much better now. The late afternoon cold seemed a lot more bearable with a body full of falafel and a whole afternoon spent doing bugger all. Archibaldo gave Bruno Parmigiano a call to check if he had taken care of our gear after the previous night's gig. He had, and told us that he would not be able to make to our gig be tonight - because he was busy helping his girlfriend shave her legs – and also told us that the sound check would be around 6pm. Archi was happy that he did not have to take care of all his stuff – much less to carry it around in public transport.
Presently Venetian Blinds came back with a carrier bag full of cheap lager. “Hey, Roady, do we have time for a quickie?” Archibaldo saw the beers and gave us that look of the bloke who'd had one too many the night before. I looked at my watch. “Not really but I think we could all use one. Hey, by the way, shouldn't we try to contact Shaggy?” Archi gave it some thought, but said: “I wouldn't bother. He's sick and tired of seeing the Drunk Monks over and over again, so I suppose we'll see him tomorrow evening for the Jerusalem Artichokes gig”.
So we had a can of lager each and ended up arriving just on time for the sound-check. We got in through some kind of backyard and noticed that two rows of Christmas-trees bordered the pathway that led to the toilet block. The surface was tarmac, so they had planted the trees in large mounds of wood-chippings. We walked into the main building, which turned out to be massive. By the entrance was the bar, with the staff busy unloading crates of booze and filling the fridges with bottles of beer. In the centre of the building was a gigantic iron structure that must have been 30m-long and 20m high. Several staircases ran around it and led to several floors. “Makes a change from last night, doesn't it?”, said Venetian Blinds.
Presently, a smiling young bloke came up to us and introduced himself as Gunter Dritte-Reich, the organiser of the do and the sound engineer. “We can do the sound-check in half an hour, if that's ok with you. I need to get one or two things fixed before we start. If you want, you can have some sangria while you wait. You can have as much as you want. For other drinks, you'll get staff price, which is half price.” Gunter sounded friendly and helpful, yet there was something fishy about the way he dressed. An observant eye might have speculated that his clothes were deliberately worn and dirty and that he had paid good money to acquire them in that state.
In any case, he'd given us his go-ahead to get loaded on sangria, which was nearly all that mattered. Besides, it made us drink something a little different. The outrageously friendly and smiling bartender poured us a cup each and told us that there was plenty more to be had. We wandered off around the building to find out what was happening on those other floors. The massive structure, we were told, had been built there by the staff. It was made to look like some sort of big piece of industrial equipment, like a giant motor of some kind. In fact, the big piece of machinery was hollow and had several large rooms on three floors, where people could seek alternative entertainment. It was a very peculiar setting, which gave one, upon initial sight, a strange feeling of organised chaos, but that was soon tempered by the appearance and behaviour of the people partaking in the activities offered by the joint.
We walked up to the very top where there was some kind of performance going on. On a big 30 square-metre stage, a bizarrely-dressed and half-naked lanky bird was hanging sheets of plastic on what looked like an old shower booth. When she finished doing that she sat on a chair just by the edge of the stage and another bird dressed as a middle-aged executive pinned several red roses onto her costume. The half-naked bird got up and languorously moved towards us. Through her weird costume, you could only just make out her bush. She lay down and began rubbing what looked to us like dry tea leaves onto her long body. “Fuck me sideways, I said, sipping my sangria. Is this the final show on Earth? The one where we end being human?” The Drunk Monks agreed. It was quite a surreal and outstanding sight - one that was unintentionally entertaining.
The stage was partly made out of glass, so that you could see stuff happening on the floor below. A young arse-comber wearing a posh suit was sitting behind a desk and engaged in a conversation with a young couple facing him. A few metres away, other people were sitting on a row of chairs, waiting for their turn. I didn't get it, so I asked a bloke standing next to us what the concept was. “You should try it, he said. You request an appointment and then they call you and you talk about stuff.” I still didn't get it but tried to be smart. “I see. Is it intended as some kind satire of the modern world?”, I asked. He looked shocked. “What do you mean by satire?” “Never mind”, I answered smiling at him. He shrugged, raising his eyebrows in scorn.
Looking around the room, I noticed that whilst most people did not seem to be interested in what was happening on stage, a few were really into it, some even taking pictures. But a sizeable majority kept ordering drinks at the bar and nattering away. This was beyond us. Why, for fuck's sake, would anybody in their right mind desire to get charged an arm and a leg to get into a club, an ear and an eye to grab a few drinks and pretend they were really soaking up the scene? I shared my perplexity with Venetian Blinds, who'd just made a run to the bar and come back with three cups of sangria. “Hey, it beats me too, Roady. But it's also thanks to these people that we get paid and you get loaded.” He was being cynical, but Archibaldo missed that. “Fuck me, Venetian Blinds. Where's your integrity?” The latter kept on feigning to respect the crowd. As they got into an argument, my eyes suddenly caught sight of the most improbable arse-comber ever to set foot on the face of the Earth.
“Fuck we backwards, look at that!” They both turned around. He was probably in his mid-thirties, quite tall and very thin; he wore an immaculate duffel coat, long, pointed, polished, black shoes and John Lennon-type spectacles. It was not so much the way he intently followed the ongoing performance, gravely scrutinising each movement and making mental notes of them by pursing his lips and gently placing his finger on them, than the way he stood there motionless, erect as a lamppost, that gave away his arse-combing abilities. Not just his posture, but also his face, was transfixing. He looked like the average middle-aged accountant, a bored and ugly physics teacher and Bonno of U2 all rolled into one. He was a foul and fascinating caricature of the modern art critic who had celebrated receiving his PhD in journalism at Cambridge by having a harpoon inserted rectally. It had obviously been years since he had last given his arse a comb in the mirror; with his aura and his prestige, he could now afford to get other arse-combers to do the dirty work for him. And like the alchemist that changes lead into gold, he turned simple arse-combers into arse-combers of arse-combers. He combed arses for fun, he combed arses for breakfast, he combed arses underwater, in deep-space, at funerals and weddings, at birthday parties, conferences or poetry-readings. There was a good chance that he would still be combing arses when the final curtain would come down on the tragic story of the human race. Ladies and gentleman, I, your loyal and humble Roady, give you the meta-arse-comber.
Gunter Dritte-Reich interrupted our awe by telling us to come down for the sound-check. But I, for one, was starting to really enjoy the show and had no intention of coming out of this zoo. “You don't really need me, do you?” Archi laughed sarcastically. “Yes, we do. I'm sick and tired of doing the fucking sound-check. You can do my part for a change. That's what we pay you for. Low tide! I need more sangria!” Reluctantly I came down with them, but hoping that I'd probably come across the god of arse-combers again during the evening.
We realised all of a sudden that the stage was nowhere to be seen. We followed Gunter up a flight of stairs, opposite the massive iron structure we had just visited and there it was: a rather big platform where they had put the amps and drum-kit. To the left and a few metres away from our platform was another one they used when they had DJs. “A bit eccentric, isn't it?”, joked Gunter. We did not know what to think of it. When standing by the rail and looking down towards the audience - that would most likely not be able to see the band members - they looked so small it was almost like being on top of a cliff. We set up our gear, wondering what the reception would be like. In my backpack, I had smuggled about six cans of lager that I hid under the stage, thinking that they'd come in handy during the gig.
After the sound-check, Gunter told us that we had a few hours to kill before the concert. So, as you would, we drank more sangria and then we decided to stroll around for while. Maybe pick up some beers and grab some food. But then a vaguely familiar face came up to us. Upon closer inspection, I realised it was one of last night's hosts, Stavros Justakis. “Hello, there Stavros, said Archi politely. Didn't expect to see you here.” “Yeah, I knew you were playing again, so I didn't want to miss your gig. Erm... Is Shaggy the Camel with you?” It all became clear. “I'm afraid not, answered Venetian Blinds. We haven't heard from him all day.” You could instantly read disappointment on his face. “But I thought the Jerusalem Artichokes were playing tonight!” This was getting embarrassing. “No, I said. They are playing tomorrow evening. Tonight is the Drunk Monks. Shaggy doesn't play with them. Why don't you come over tomorrow evening?” But Stavros couldn't. “I'm flying back to Anthens tomorrow to visit my family and I'm hosting an art exhibition. Will you guys come back one day?” Achi briefly pondered, but told him we probably would. Maybe next year. Stavros wrote down his Facebook address, asked us to tell Shaggy to get in touch with him and wandered off.
Following this uncanny interaction, we set off to explore the surroundings of the venue. We grabbed some beers on the way and found a public park bench, from which we had a good view of a river and a massive, old-fashioned lit-up bridge. We cracked our tubes, Venetian Blinds rolled a doobie and Archibaldo also produced a quart of rum. “Anybody for a swig?”, he asked, after making a typical sound of satisfaction following his hit. But we both passed. Venetian Blinds was not partial to rum and I was beginning to get stomach cramps. We all had a toke, and Venetian Blinds became all poetical. “Dark city, in front of me, full of lights, and fantasy, enlighten me: why are we so sorry, for this fallacy?” Archibaldo burped loudly, prompting an old man walking his dog to look at us in disgrace. “Looks like that Nazi didn't like your poem...” But Venetian Blinds' rhymes remained in my head. We were in for another strange night. We were far away from the idle comfort of our homes in this massive metropolis that had us constantly questioning the boundaries of the culturally acceptable. This was the place were everything was happening, yes. But we kept wondering if we wanted to be part of it. Part of me longed to be somewhere like in a southern Portuguese village, where fifteen simple-minded people constitute a crowd, the few nights of the year when they have gigs and events going on.
We finished our lagers and I convinced them to go and get some food. My stomach was now hurting a fair bit and I concluded that I needed to get some fried rice down me. Gunter Dritte-Reich had told us there was a good Chinese take-away near the venue, so we headed that way - as we walked, I noticed Archi was already slightly zigzagging. When we finally got our food, the pain had become excruciating. I burnt myself, desperately trying to force hot rice and veggies down into my stomach to alleviate the pain. Even when we got back into the joint, I was still crying for mercy and was in no mood to drink fucking sangria – the cause, I suspect, of my ills. But the rest of the crew, especially Archi, kept hitting it hard. I had to drink coke.
We sat down at a table and presently a group of people that Archi seemed to know gathered around us. There were a few birds, who rambled about something I fail to remember (I was suffering too much to pay attention). But what I do remember is that they had come with a young trendy pussy called Gandalf. “Do you mean to say that your parents really called you Gandalf?”, asked Archibaldo, who was getting increasingly pottered. The poor guy nodded and fidgeted nervously. Venetian Blinds, sitting next to me, started sniggering. But Archi had another go at him: “Reminds me of that song by Johnny Cash. Maybe one day you'll beat the crap out of your father! Ha, ha!” Gandalf gave out a short sarcastic laugh and turned around to face one of his girl friends.
We killed time by drinking more – I reverted to staff-priced beer after my unfruitful experience with sangria – and I considered introducing Gandalf to the god of arse-combers. The staff gave us some sort of pub-quiz sheet we had to fill in. It listed a whole series of events that had occurred in the Western world since Antiquity and the idea, as we worked out, was to fill in some missing gaps by writing some really important events that we should choose. But this intellectual task did not seem to appeal to Archibaldo, who was downing his seventh sangria. “Balls to that history crap! They're all a bunch of communist liars!” This insightful analysis did not seem to go down well with Gandalf, who happened to be wearing a red t-shirt with the effigy of Che Guevarra. Venetian Blinds was now doubled up with laughter. “Yeah, you tell 'em Archi! Bloody Marxist swine!” The Drunk Monks drummer was not as buggered as Archi fucking baldo, but he fancied getting him started on some dodgy subject that would cause discomfort and controversy amongst any nearby arse-combers. Sadly, nobody cared to engage discussion with him.
When Gunter finally got back to us and told us we were on in ten minutes, I realised that Archibaldo had had one too many. He got up and almost crashed on a small, shy-looking French bird sitting next to him. “Sorry, Baby! I didn't mean to make you cry! Ho, ho!” Venetian Blinds did not seem too worried about the situation. “He's handled worse, he told me. Come on, let’s go upstairs and get ready”. So we both did. But half-way up the stairs, we realised that Archi was lagging behind us, staggering towards the staircase. I became more concerned about his state. “Are you really sure he can handle this gig?”, I asked Venetian Blinds. Bad mistake. Archibaldo heard me say this and furiously stormed towards me. “You think I'm a fucking pooftah, eh, Roady? You think I have no cojones? Well, I'll show you and all those arse-combers!” His breath smelled like he'd been snogging a tramp's arse the previous night and smoked a packet of Benson's to conceal the pong. To prove his point, Archi decided to go up the stairs paying a tribute to John Cleese doing his silly walk. But as he reached the top, he turned around to face us in triumph and inexplicably fell over backwards. “Oy! I've fallen on my dirty bum! I'm going to have an ARSE-COMA! WHOHOHOHOHAHAHAHA! Geddit?! Know whaddamsaying?! ARSE-COMA! WHOHOHOHOHAHAHAHA! What a great pun!” He frantically slapped his thigh, convulsing with an uncontrollable fit of guffaws.
“Ok, do you need to see more?”, I asked Venetian Blinds annoyingly. He gave it a thought, while Archi was still laughing his head off. Meanwhile, I looked back downstairs, wondering if we were causing trouble. Surprisingly, the people either did not seem to mind or pretended not to notice. Was this kind of behaviour the average standards they got in this place? Were they so bored that they no longer found it amusing? It was all very puzzling.
“You know all the music, Roady”, said Venetian Blinds. I smelled something fishy. “What are you on about?”, I answered with suspicion. He hesitated, nervously licked his lips, but finally said: “You know... You could play. Nobody will notice.” Whatever next. “Nobody will notice?! You twisted fucker! Of course, they'll notice a fucking Roady playing!” But he was adamant. “No they won't. Look at them. They can't see you from down there. They won't know the difference. Besides, they care as much about the music as the wall-paper of the joint.”
I was still shocked by his proposal, but as I gave it some thought, I realised he had a point. People at the venue clearly did not give a flying badger's toss about who or what was playing on Saturday night. It was one of those cases when a marginally critical and cynical eye would see the whole fraud of the so-called 'alternative culture' – a vast masquerade where arse-combers put on their alternative clothing, their alternative smiles and their alternative conversations in order to claim that they saw the most full-on and different band since the evening before last.
So I ended up thinking, why not? If we were amongst pseuds and phonies, then we might as well join the party. “All right, I said. But I want half of his share as compensation. I'm a Roady, not a fucking musician.” After all they'd already ripped me off the previous night, when I'd had to fork out very mucho dinero from own pocket to buy myself and the rest of the crew drinks. “40 percent, said Venetian Blinds. I'm going to have enough trouble getting him to understand what happened and accept the facts, namely that some of his money went to the Roady for compensation.” He was not really in a position to negotiate, but I accepted nonetheless, just to show them that money was not important to me. “All right, you tight bastard. Let's do this, then.”
And this is how I got to fill in for Archibaldo of the Drunk Monks amidst a bunch of arse-combers. I made a mess of the first two songs, but got better after. It was far from perfect, but the crowd clapped and cheered politely, seemingly unaware that the joke was on them. We hardly paused between songs, because Archi was singing backstage:
THEY CALL ME ARCHI, ARCHI, ARCHI!
I'M BUILT LIKE A DONKEY, DONKEY, DONKEY!
TAKE A LOOK AT MY WILLIE!
I'VE HAD YOUR DAUGHTER, YOUR MISSUS AND YOUR AUNTIE!
WON'T YOU SHOW ME YOUR FANNY! BAAAAAAAARP!
We finished a shortened set and the sound-engineer put the music back on. Thank fuck. We put the gear away while Archibaldo sat on his chair sipping his rum. I cracked a tube. “I've never seen him in such a state, I told Venetian Blinds. He's completely lost the plot. Whatever happened to him?! How did he get so blasted?!” But he shrugged, opened a beer and said he did not mind. We still had to pick up Archi and help him down the stairs. He then staggered off and left us wondering what to do. So we got some beers at the bar and lingered.
After a few minutes, Archi re-appeared, keen to tell us about an adventure he'd had outside amongst the Christmas-trees. We were not particularly interested and tried to ignore him the best we could. We were saved by Gandalf, of all people, who came to congratulate the Drunk Monks for their performance. “You guys play some amazing music. Do you have a Myspace account? I'd love to show it to some friends of mine.” He turned to Archibaldo, praised him for his virtuosity, but then looked puzzled “That's funny. You looked a lot taller on stage.” Before I could say anything, Archi immediately saw the open window. “That's 'cos I was standing on a stage. It always makes me look taller.” Gandalf then noticed that Archi was by no means sober and found it surprising that he'd been able to play that way. “Well, it takes practise, brother,” was the answer he got What a dishonest and yellow bastard.
Later on, a slightly plump and rather drunken Asian bird called Pamela Chuh came up to us and marvelled at our different hairstyles. Immediately, Archi began making comments about the shape of her eyes that were giving him a hard-on. Although, she was slightly too drunk to understand him, I decided to take matters into my own hands and grabbed Archi by the arm. “All right, Archi. Let's go outside for a bit. Show me what you saw behind those Christmas-trees.” He seemed pleased. “Ahhh... Roady, Roady. My faithful Roady. You're my brother. I fucking love you!” He put his right arm around me and kissed me on the left cheek. The doorman looked suspiciously as we walked out into the courtyard.
We staggered towards the row of Christmas-trees and got behind one of them. “What we doing here, Roady?, gargled Archibaldo. “You'll see”, I answered and punched him hard in the stomach. He bent over and collapsed onto a mound of wet wood-chipping. He huffed and puffed for a few minutes, until he looked at me and managed to wheeze: “What you do that for?” He was still busy catching his breath when it started to come out, purple chunks of rice, in massive salvoes. “Come back inside when your stomach is pumped, you shithead.” And I left him puking his guts out.
When I got back inside, the staff was clearing stuff up and most people had been asked to leave the joint because they were closing. Venetian Blinds was caught in the interaction with Pamela, who was now playing with his beard. “Pamela wants to know if there's a party where we're going”, said Venetian Blinds. We probably should have checked with Bruno Parmigiano, whose sister's place we were crashing at, but I said it was fine by me. At least, we'd be bringing back enough drunks to get some sort of momentum when we'd arrive there. Noticing I'd come inside on my own, he asked me: “Where's Nazibaldo?” I told him he was busy hunting for pine-needles in haystacks, which did not make sense to him, but all the same he was glad that our clown was out of sight. Looking around me I noticed that some members of the staff were smoking pot, now they'd closed the venue for the night.
We loaded our gear into a taxi and fucked off, not caring to partake in the after party. Archibaldo had killed the best part of his drunkenness, but he looked and felt like pig shit and moaned and burped in the back of the car, while Pamela Chuh kept on nattering away and wondering if there'd be many people at the party, while Venetian Blinds tried to fondle her ample breasts, and while I attempted to engage conversation with the driver. “Busy night, tonight, eh?” “Hmm...”, was all I got for answer. I did not pursue our dialogue, because I noticed that he kept nervously looking at Archi in his mirror, probably because he was concerned that he might gob on the back-seat. So I sat back and enjoyed the ride.
When we arrived at Bruno's place, it was probably around two in the morning. He'd had to wake up to open the door. His sister and girlfriend were asleep, which meant that we could not have a party. “Never mind!” said Venetain Blinds, who stormed into one of the bedrooms, dragging Pamela Chuh with him. I felt betrayed, but I was getting rather tired. I still had Archi on my hands, whose breath still smelled like he'd been kissing a hobo's arse the previous night - with a spicy after-aroma of vomit. Luckily, there was another spare bedroom. Inside, I found Shaggy the Camel snoring heavily on a sofa. The only other bed was a spare mattress Bruno had put there for us to use. So got Archi onto it and crashed right next to him, turning him over so that he faced the other side, because I genuinely thought that I'd die from the noxious fumes emanating from his mouth. Although he kept farting in my direction, although I could clearly hear the pounding going on next door, and although Shaggy's snoring was loud enough to wake the neighbours, I somehow managed to settle down and reflect on the past evening. I was weary, drunk, stoned, and vaguely pissed-off that the Drunk Monks had behaved like such a pigs, but at least, in some respect, I'd had my hour of glory on stage. I smiled and soon after, I was asleep.

Copyright by Roady, 2011

Chapter 3 - The Funny Phonies and the Freaks - Part 1

On the first night, the Jerusalem Artichokes were playing in some down-town boozer that would have seemed quite a nice venue upon initial inspection. Here and there were couples enjoying a quiet evening drink after a hard day's work, labourers relaxing on comfy chairs while downing a few, groups of mates looking friendly and joyous and seeing off a few jars, and young, pleasant-looking bartenders all set to get the booze flowing at full speed when the bulk of the crowd would arrive. It turned out to be quite different.
After finding the place, we unloaded our gear on the stage, set it up and went out to score some beers. Luckily, there was a park right in front of the bar, where we could crack a few tubes. Unluckily, a strong wind was blowing from the North and it was ever so slightly drizzling. As a result, the cold nullified the action of the booze and we were forced to go back inside before we could have our second round.
I began harassing Archibaldo for some beer-tokens. “Sure, here you go, Roady. But I'm warning you, you can only get halves of Carlsberg.” I shrugged and replied: “Beats drinking your own piss”. I made my way to the bar and exchanged my token. While the bartender was pouring it, I realised that Bruno Parmigiano was standing right next to me, looking vaguely pissed-off. “Alright, there Bruno? Looking forward to your gig?” He gave me one of his trademark grimaces of discontent and mumbled and grumbled about the quality of the beer, claiming that it was irrational and scandalous: “I don underztand. Ziz iz really dizguzdin. Iz like drinkin your own pipi.” Which was, all in all, probably true. But seen as the Jerusalem Artichokes were doing all the hard work, I shut up and drank my half of pipi.
There soon came a point were Venetian Blinds and I got bored, waiting for something to happen. So we decided to seek adventure outside, where it was cold and wet, but where one could acquire cheap lager easily. The streets were fairly quiet, for a Friday night. The only people we came across were wearing suits and ties and heading back home. Because there was nothing better to do, we loitered by a post box and bitched about the cold that was preventing us from getting loaded. After a while, a middle-aged stuck-up lady walked past our base-camp. She was carrying a beautiful large Siamese cat in a cat box, probably bringing it back from the vet. “Nice pussy, love!”, cried Venetian Blinds. I let go a long burp. She kept on walking. “Fuck me, where's her sense of humour?”, he rhetorically enquired. I concurred. “There'll be more humour in the bar than around here. Come on, let's fuck off. I'm getting cold.” We put the remaining beers in my back-pack and headed back to the boozer.
But as we approached the venue, we realised that the entrance we had been using so far had been locked from inside. We looked around and spotted a bulky coloured person standing by the door. “Is that a bouncer?”, I asked Venetian Blinds. “Looks like it”, he answered. I did not know whether to smile or be shocked. “Maybe Oasis are the supporting band,” I pondered.
As we tried to walk in, the bouncer calmly told me to open my bag. I tried to be clever: “We're with the band.” He became contemptuous: “Does that exempt you from opening your bag?” I stared at him for a few seconds and then looked around, wondering if a joke was on me. “All right, you win.” I opened my bag and produced a carrier-bag full of cheap lager. “Feel free to help yourself to one, I suggested. It's a cold night waiting on the doorstep.” He shook his head and placidly, but with some sort of impatience, opened the door for us to get in.
We still had a good two-hour wait before the gig, so I went up to Archibaldo for some more beers. But - horrorshow - there was only a limited amount of beer-tokens available for all of us. “Sorry, crew, he said, waiving his arms in frustration. That's all we're getting. Actually, they did not provide any for the Roady, so I had to give you one of mine.”
I felt bum-fucked. Without a doubt the most unethical and humiliating treatment you can inflict upon a Roady is to is to drag him into a mediocre venue and tell him that he can't drink for free. This means that he has to fund his piss-ups with his own dinero. That is bad enough – it is contrary to the humanistic principles of keeping a Roady well fed and well drunk. But to complicate things further, even a moderately rich Roady, being essentially generous and full of goodwill, often feels morally compelled to fuel the tight bastards that are employing him.1 Is there a greater paradox in this cold, dark and inhospitable world of arty poseurs? It is, by a country-mile, the greatest victory of capitalism. To think that Adam Smith naïvely believed that CEOs would acknowledge their responsibilities and act as benevolent philanthropists taking care of the weak is a big joke in its own right. To witness the exact opposite from the eyes of a humble Roady is a different story altogether.
But then anybody with a bit of common sense would realise that bands like the Jerusalem Artichokes or the Drunk Monks were a thousand times more money-oriented than they would want to think. They pass for humble artists, yet shun the opportunity to play for free and wind up giving more money to the arse-combers they play for. Sometimes I fail to understand why I keep hanging out with those nasty pieces of work, who secretly expect me to keep the beer flowing, if plan A has failed or was doomed from the very start of the adventure.
I digress. I knew Archi was lying and felt mutinous.2 I fumed back to the bar, ordered a pint with my own money, and swallowed it in large gulps. I looked around and the friendly boozer now looked very different. The few beers I'd had, combined with the sickening news of the beer tokens and the bouncer busting my balls - all these factors were gradually lifting the veil of happiness I had initially seen upon entering the pub. In the meantime, various other crowds had arrived, while we had been outside fighting the cold and sipping cans of piss. I felt like insulting everyone, so I just kept drinking more and more beer.
At some point, I needed to urinate and buggered off to the pisser. The walls of the men's room were covered in old newspaper cuttings, some of which went back to the 1940s. It thought it was a great idea – a history lesson, whilst simultaneously enjoying a rejuvenating gypsy's kiss. The trouble was I could not linger because the floor of the boys' was full of glass, freshly broken. As I put my pecker back in my trousers, a bloke barged out of a toilet booth, hyper and shaking. As I glanced towards him, he produced a small plastic bag and said with an East European accent “Ah. Well. I'll just have to get another one, eh?” He laughed nervously , plunged his nose into the small plastic bag, noisily snorted, and made a short gargling sound with his throat. “Ha. Yes. Another pint.” Later on, I recognised him shouting abuse at the group of kids who were the supporting band for the evening.
Eventually, the Jerusalem Artichokes walked on stage and did their part of the job – while he was playing, Bruno Parmigiano kept hopping around like an Easter rabbit. Towards the end of the set, an obnoxious drunken cow came up to me with a flyer that read the name of the label – “Picha, Picha” records. “That the name of the band?”, she asked. “No, that's the name of the label. The name of the band is...” “I don't want the name of the fucking label, she snapped. I want the name of the fucking band!” I produced a piece of paper and wrote an Internet link to their music: “myspace.com/upyourcuntstupidtart/music”. She shoved the paper into her handbag without looking at it and staggered off.
When the Jerusalem Artichokes finished their set, the whole audience had the opportunity to dance to DJ Archibaldo's groovy 60s sounds. Though the remaining people did not seem too keen on shaking their arses to vintage garage beats, it was a rather enjoyable moment that almost made me forget about the crappy evening. By then, I'd had more than a few, so I was ready to be entertained. After about twenty minutes, a drunken Shaggy the Camel barged up to me. “Hey, Roady! Come on out and have a splif.” I briefly felt like declining his offer, but ended up following him, because I felt my brain could have done with some THC.
Outside it was colder than in the most frigid Eskimo's fanny. We also had to move away from the Nazi doorman. “Doesn't this remind you of High School?, asked Shaggy. You know, having to hide from the teacher just to have a few tokes?” He grinned. The snake had tempted the Roady to the forbidden fruit of wisdom, while God was busy confiscating drinks at the entrance of the Purgatory. Because of the biting cold, the dope had the exact same effect as the beer - bugger all. “Fuck it, this is getting us nowhere, I said, when we finally stubbed the reefer on the pavement. I'll buy you a drink.” The evening was starting to become increasingly tiresome and expensive.
But back inside, horroshow! DJ Archi was no longer blasting out his favourite tunes. Instead, a bird was playing some of the most tasteless so-called “avant-garde” house music. A mildly dunk Archibaldo came up to us, looking cynical and frustrated. “I don't know about you, but I preferred when DJ Archi was deejaying.” We agreed. “And look around you, he added, before leaving us and going around the boozer in an attempt to whore a drink off someone. There must be about ten arse-combers dancing to this shit. Where did those fuckers come from?” He was right. But upon closer inspection, I remembered that I had seen them behind a curtain right next to the bar, as if they'd been having some kind of private party throughout the evening. At the time, I had thought nothing of it, but now it all made sense: they were the other DJ's friends who had only come for her and stuck behind the scene, patiently waiting for her to cue in, and snubbing the other gigs.
“What a load of cock!”, said Shaggy the Camel. “Yeah, answered Venetian Blinds, sipping a newly-poured pint of beer. You know, arse-combers are like vampires. They'll only come out at the right time.” “So what do we do now?, asked Shaggy. I reckon it's time to bail out, don't you think?” We all agreed on the idea. We could not find Archibaldo, so I got beers for Shaggy and myself and we all lingered at the bar. Eventually, Archi came up to us, looking drunker and vaguely excited. “Hey, I've found us a party around here! I've met these three arts students who're having a party at their house. Come on, I'll introduce them to you.” We finished our beers and followed him outside.
There were our hosts for the evening. We shook hands with them and Archi, polite and sociable as ever, did the introducing. “This is Stavros Justakis, from Athens. And this is Grahamovitch Mushnikovski-Resort, from Bulgaria.” But turning to the third character, he fumbled his name and scratched his head nervously. “And this is... Shit, I'm sorry, I did not catch your name.” The frigid-looking stocky young lad stepped up and introduced himself. As he spoke, I noticed that half his right cheek was suffering from partial paralysis. “The name is Bobnar Lukewarm-Chop, but you can call me Bob.” Archibaldo feigned to remember. “Yeah, that's right. Sorry, Bob. You're from Serbia, Right?” “Croatia.” For some odd reason, I did not buy into that. Still, I did not really care. I just wanted to get out of this stupid joint and get wasted. They gave Archibaldo their address and told us that they were busing back home – we were getting a taxi. As they left, I noticed Stavros Justakis was giving Shaggy the eye.
We stopped to get some beers and presently arrived at their place. There must have been a good twenty people in the kitchen, with the stereo blasting out old-fashioned boogaloo. We started hitting the beers hard and passing splifs round. Much better scene. It turned out that it was Bob's birthday, so we had to sing happy birthday at least half a dozen times and were made eat one the most revolting chocolate cakes I have ever sampled. Inexplicably, a half-drunk bird started crying abuse at Venetian Blinds, who eventually was forced to leave the room for peace and quiet. As he did, a young French would-be hippie got up and decided to give him a hug. When the hug lasted for too long and Venetian Blinds tried to break free, the kid broke into tears. “Come on, there's no need for that. I mean, I don't even know you, what do you expect?” The situation made another bloke angry. “Now you've hurt his feelings!” At long bloody last, something was happening.
There was hardly any space in the crammed kitchen, but a few, myself included, managed to get our arses wobbling to those vintage beats. A fat Cambodian nerd called Ping-Pong To-Fu, who was toking on a small hash pipe, kept falling on everyone, causing some to spill their drinks and spark annoyance. A smiling and cheerful Grahamovitch, apparently used to coping with him, grabbed him by the shoulder, got him to sit to the table with him and Bobnar poured him a liberal dose of the Glenlivet. Sensing something interesting, I made my way to the table and tried to scrounge a swig, feigning that I had never had the opportunity of sampling such delicacies. They bought it and poured me a hit. I bowed. After spending the night drinking tasteless piss, it was like swallowing pristine melted gold. A few minutes later, I cracked another beer and switched to auto-pilot mode.
Because it was Bobnar Lukewarm-Chop's birthday, the Cambodian insisted that he have a toke on his pipe. But Bob did not seem too keen, essentially because he'd just witnessed him get completely blasted on his shit. “I don't know Ping-Pong. It looks it's pretty strong stuff. It's turning you into Pol Pot.”3 But Pol Pot insisted, so Bobnar accepted. He pulled a face of discomfort, as the smoke reached his lungs, and immediately passed it over to me. It was thick and almost acid. I instantly knew I was going to be sent rocketing around South East Asia. “Fuck, this is strong!”, I told Ping-Pong. The stuff did not take long to kick in, though, and soon, he looked like I felt – dizzy and disoriented. I went out of the kitchen to get some fresh air.
Outside, the late-winter drizzle had resumed. I tried to come to my senses and and deeply inhaled the fresher outside air. This was a bit too much for me. I had two long gulps of beer, hoping it would get my brain back where it belonged and progressively act as a counter-point to the dope. It was a lot quieter and somewhat peaceful out here, although I soon came to notice the presence of two arts students apparently engaged in a heated debate on the works of Vasili Kandinsky. I was incapable of understanding what they were rabbiting about, but I do remember that they ended up turning to me to have my opinion. “Hey, don't look at me, I managed to mutter. I'm just a Roady.” They looked away from me and resumed their discussion. I went back inside, feeling increasingly nauseous.
I looked around the kitchen, blasted out of my mind, soaking up the atmosphere and scanning the various scenes. Venetian Blinds was hugging the French hippie again, whose surroundings were preparing shots of whisky to celebrate their restored friendship. Bobnar and Grahamovitch were requesting autographs from a polite and deferent Archibaldo, who was trying to tell them that he did not like being treated like a rock-star. A stoned Shaggy the Camel was unconvincingly trying to chat up a Brazilian bird with shockingly big knockers, with Stavros Justakis desperately trying to barge into the conversation. I found a space between Bob and Ping-Pong, who was loading yet another pipe, and the thought of Sartre's absurd-induced Nausea briefly entered my mind. What happened after is rather hazy, as far as my recollections go, but believe I more or less passed out on the chair I was sitting on.
I was brought out of my slumber when a drunken Venetian Blinds pushed me off, prompting cynical laughter from Archibaldo. I hit the deck with a loud thud. “Hey, Roady! Wake up, you dozy bastard! Grahamovitch has cooked a massive dish of pasta with lots of onions and garlic, just like you always do!” I had no idea of what was happening and felt like I'd landed in Hell. On the floor, someone had spilt some ouzo and the strong smell of anise, combined with cigarette ashes, was too much for me to cope with. I painfully got back onto my chair, my eyes still half-glued from sleep, trying to fight the nausea. “You sick cunts,” I managed to mumble, and presently began mechanically shoving food down my throat.
Everyone had left the party, save the Drunk Monks and Grahamovitch Mushnikovski-Resort, who was too polite to tell us he needed his bed. Venetian Blinds and Archi were working their way through a bottle of Chilean wine, and talking a whole load of bollocks about politics in American Samoa. The food was greasy and fulfilling, but I felt my stomach was not going to hold it. I had managed to get some ouzo on my hair and the smell was still getting to me – as was the sight of Archi drinking wine out of the bottle whilst simultaneously scooping pasta into his mouth with a large ladle. “Fuck this,” I said getting up. I went to the crapper, waited a few minutes and finally purged my wretched body, knowing it would buy me a good night's sleep. Tomorrow brings a new day, as they say.
1This is something Venetian Blinds in particular seems to have understood well and exploited.
2What he probably has only just realised as I write these lines, is that I got my revenge by defecating into his suitcase.
3Wish I'd come out with this one - Gilbert Shelton, some issue of the Fabulous Furry Freaks Bros, in case you wonder.

Copyright by Roady, 2011

Chapter 3 - The Funny Phonies and the Freaks - Forward


Arguably Roady's most sophisticated, scornful and fictional work to date.

Big city means diversity.
This simple truism is not solely intended at making a pompous start to this account of a week-end in one of the only places in the world where, reportedly, everything seems to be happening. The underlying logic of this statement is that diversity, be it social, ethnic or cultural, implies possibility, opportunity, and why not, in certain cases, freedom. Let us assume, at least for now, that you can indeed be anything you want to be, when the time and place are right. Suppose you are a capable educated adult seeing the vast world as your oyster. You base your choices on the environment around you. Of all those possible choices, one, here, is of particular interest. You can choose to have a roller-coaster ride throughout your frail existence - which is, after all nought but a frivolous moment, lost in the infinity of time. Go with the flow and don't think about the short and long-term consequences. Or you can can chose to take a step back and remove the blinkers from your eyes.1
This implies saying “no” to various things that should not be tolerated - some of which, religious bigots are arguing, will precipitate mankind into an eternity of fire and brimstone. The list of those things is rather long and has been discussed and placarded on many occasions ever since the 1950s came to an end, so I will not go into details. There is, of course, no clear-cut consensus on what should not be, save, perhaps all that is regulated by the almighty forces of the free-wheeling market. Money is a media. It is a promise of payment for goods or services with no intrinsic value – although I am sure some eccentric billionaires use banknotes to wipe their arses. It is immaterial; it does not exist.2 Hence the following law: all cultural productions that strive to make money, especially in vast amounts, are, de facto, false.
Perhaps only the clothing of this equation will sound vaguely new to those reading this. Still, it is worth clarifying for the purpose of this digression. This broad consensus, then, implies rejecting mass culture, which is force-fed down the happy throats of the multitude without vomiting anything, so that a select few can have a few Ferraris to play with, unlimited supplies of cocaine to snort or have pictures of their recently-enlarged breasts published in tabloids. What is left, then, can be called “counter-culture” or “alternative culture”.
But herein lies another pitfall: what if what remains might also be contaminated by the evil forces of the market? The judgemental faculties of those who have chosen are confronted to the problem of deciding whether their culture is pristine enough to be embraced. Those who have chosen, then, arrive at another crossroad, where they can either move forward or take another step back. But this time, the decision rests on a lot more factors than just discerning what is driven by money and what isn't. Because I am getting seriously tired with this dissertation, I will not attempt to survey and discuss these factors. There is however one particular sin I believe is worthy of note for the rest of this account, which is – forgive me if this sounds ironic - taking oneself too seriously. 

1At this point, any philosopher, cultural theorist or social scientist worth his or her salt would rightfully accuse me of reducing the complexity of the problem to a gross dichotomy. I hope this will give them a chance to write fascinating books in the near future.
2Go on, do your worst.


Copyright by Roady, 2011

Chapter 2 - Over the hills and far away

Some New Year's eve party we attended a few months ago. Definitely NOT Roady's best chronicle, but a rare case where a party goes so smoothly that Roady cannot take any shots at arse-combers. A frustrating experience, in retrospect.

It is a matter of human decency to attend a party completely tanked up on booze. Not that our host did not know the business of organising piss-ups, but we made a point of not arriving empty-handed. And it being the season of good-will, an unexpected X-mas bonus had provided us with a keg of beer and a few bottles of wine we thought would come in handy.
We picked up one of my mates and then decided to shop for a few more beers, just to be on the safe side. After driving around in circles for a while and cursing the one-way streets, we finally arrived at a supermarket, which turned out to be a contender for the gloomiest discount store ever. We got lost a couple of times trying to find to entrance of the car-park - a scarcely-lit winding driveway that ran right next to the ring-road. Getting out of the car was the scary part. We were literally metres away from the endless stampedes of cars rushing by at 110kph. Suppose one of them lost control, it could very well crash headlong into the store window and probably kill a few dozens of people.
Inside we grabbed two extra cartons of beer, wine, and a bag of onions. Halfway towards the checkout, I also picked up a 10kg sac of potatoes. 'I can't remember the last time I had chips', I told them. They sniggered. We got back into the car and fucked off towards the mountains.
It was a good two-and-a-half hour trip, so my two travelling companions decided to crack a few tubes to kill time. We had some cans of cheap strong lager, the kind you'd see urine-soaked tramps loaded on on public benches. Because it had been widely announced that the coppers would be rampant tonight – it being new year's eve – I did not care to be done for drink and driving. On top of that, they would probably test my saliva for pot. So I only had a few sips, just to make the journey vaguely interesting. For a brew that cost something like 40 cents a can, it was surprisingly good with an – obviously unintended – after taste of honey.
It must have been around 8 when we finally arrived at Shaggy the Camel's house, nested on a hill that overlooked the Vallée-du-chorizo. The view would have been quite stunning if there had not been a town sitting in the valley – snowy mountains surging dramatically from the ground and disappearing into the clouds.
We walked in. Shaggy and his cousin had also prepared a fair bit of food: a whole cheese set was waiting to be scoffed, alongside various other dishes and puddings. The rest of the crew had begun sampling champaign. I have never been a fan of those sugary bubbles – something pretentious and aristocratic about them – but the long drive had taken its toll and I gladly downed a couple of glasses. Could do worse, I suppose. Still, I needed to wake up and fight off a nagging cramp in my left thigh, so I produced a small brass pipe and loaded it with a brand of Super Skunk, a highly energising kind of herb. I passed it round and enquired if and when Archibaldo would be around tonight. “Yeah, he shouldn't be too long. He's coming over with Ringo Sewage and a couple of mates”, answered Shaggy. “They shouldn't be too long.” Ringo! Now there's entertainment value. The crazy bastard is much admired for his legendary drinking and his ability to light up the dullest party with his mere presence – the way he speaks, laughs and generally behaves. This immediately placed the show under the sign of licence and unpredictability, with a slight touch of eccentric grotesquery.
More people arrived in medium-sized groups. We soon had a decent crowd of circa 20 people. Not a bad figure, considering how remote the location was, but, to be sure, enough to have a few laughs. Some of our pot-growing mates began rolling big fat doobies of their latest crop and passed them round. Good stuff, it was, too; more interesting than what I had, but definitely not as electric.
Soon, we had ourselves a massive collection of good wine and beer. The beer we put outside to keep cool and kept uncorking more red wine. We all got drunker and drunker, gradually working ourselves to a state where we would be wanting to dance.
Sometime around midnight, one of the drunker birds decided to have a sledging bout outside. The geography of Shaggy the Camel's outside made it an challenging ride. Like many houses in the area, the natural inclination of the hill had been flattened out so that the owners could have some sort of lawn. This meant that the sharp slope abruptly gave way to a flat surface without any progressive transition whatsoever. Predictably, she was thrown off the sledge when she reached that critical point and tumbled a few metres away, laughing her head off and not caring about her loose skirt.
This gave Ringo Sewage a great idea. He would also slide down the mighty slope, but without the need for a sledge. Sensing something big was boiling, everybody gathered on the patio to watch the show. Accompanied by one of his close companions, he climbed up and expertly scrutinised the slope. The key was to aim between two young conifers that had recently been planted there. After half a minute of tension and expectation, he started down the slope and majestically glided down, still standing up – a skier without skis, if you will. With the crowd loudly cheering his technique, he narrowly missed the two conifers, but when he hit the flat surface of the lawn, he inevitably lost his footing and crashed head first into a young shrub - that still had a plastic covering for the winter – and literally flattened it.
This sent the whole crowd roaring with laughter. Half crippled with guffaw, Venetian Blinds helped him up and tried to fix the poor tree. Ringo painfully grinned at his audience and proceeded back up the slope. The second attempt was even more dramatic. Having studied the first run, and thinking he would not make the same mistake, his mate accompanied Ringo down. But although the first part of the slide was highly impressive, both wound up doing further damage to the tree.
And to themselves. The rest of us, struggling to control our laughter, barely noticed Ringo get up and painfully limp towards the house. It turned out he had twisted his ankle and that his mate had buggered his wrist. And there was I earlier bitching about my driver's fatigue. It all now seemed rather irrelevant after this hilariously surreal act of burlesque.
Sensing that we had entered the climax of the evening, I decided that it was time I put on my Jesus Christ costume. Walking past Ringo, who had some ice on his foot, he immediately gave his trademark, slow, high-pitched laugh, whining uncontrollably about how I looked like a two-bit hippie. I danced my way over to the couch and rubbed my arse against him. Soon, I became the focus of the whole party. Everybody was stunned by the impromptu visit of the Messiah and some decided to have a photo session with the Son of God.
By then, I was deeply stoned on skunk and wasted on red wine. But I wanted something to happen and started whoring Shaggy the Camel to invite his neighbours for some New Year drinkies. Eventually he buggered off to find them and re-surfaced an hour later a lot more loaded and smelling of strong alcohol: “They offered me a snort, he explained. That's why it took me a while. But they're coming over.”
It was probably around 2 o'clock when two smartly-dressed middle-aged couples arrived at the party. Good old drunken Archibaldo had fixed us some of his typical 60s tunes and at least half of us - including a one-footed Ringo Sewage – were dancing frenetically. Though I was not the host of the house, I felt compelled to bless our newcomers. “Welcome, my Son. Go in peace, Sister. Drink, for this wine is my blood.”They looked confused and mildly ill-at-ease, but bought the joke. Ringo then rolled an eccentrically-shaped reefer – the “mustache” - and passed it over to the fellow dancers. Pressed by Messianic injunctions, some of the neighbours joined us on the dance-floor for a while and eventually headed back home for some shag and kip.
Here and there, drunkards stumbled around the place until they were tired enough to crash wherever they could. Needing to stretch my legs, I wondered off to the basement and found Shaggy in the wine cellar, chatting up Margarita with his knowledge on booze.i The moment he saw me, he opened a bottled of plum liquor. Why not. I bombed a glass and soon started to feel our confined cosmos spinning round. We were joined by Venitian Blinds and Archibaldo, who was a lot more blasted than I was. Presently, a whole crowd massed up and started hitting the booze, to the point where Shaggy had to hide the bottle. The Drunk Monks drummer rolled a doobie and seemingly deliberately let go of his glass, which noisily tinkled on the cellar floor. Pissed as a cunt, Archibaldo went on to his trademark ramblings and even became a little racist. More people arrived and started singing loudly and out of key. I fucked off to bed.
I was aroused of my stupor by someone crashing next to me and did not sleep for the rest of the night on account of the half-drunk bird convulsively snoring in my face.ii After a long and harrowing wait for people to emerge, I finally got up. Still high on pot, I felt surprisingly charged and raring to go. I put on some clothes, went down to the kitchen, bade everybody good day, and went to the car to pick up a bottle of grapefruit juice I knew would come in handy. Gazing at the hills while briefly bathing in the late afternoon sun and downing a few gulps of of cold juice was more than I needed to begin the day.
Back inside I found a hungover Archibaldo sucking at a beer, adamant that it was doing a great deal to help his stomach. “We hardly touched our stockpile, he told me. Might as well start early.” Good. I also remembered we had saved some light-hearted white wine for breakfast and I opened two bottles – only Venitian Blinds joined me. Someone rolled a splif and I was back in business.
Ringo limped into the kitchen. The poor bugger had hardly slept a wink because of the pain. We gave him some aspirin that he swallowed with long gulp of wine. He and his mate were to spend New Year's day in casualty.
Feeling in great shape, I put on the stereo and began telling everyone to grab some wine and get on the dance-floor. Save Archibaldo, who politely wobbled his arse to the beat of Surfin' Bird, the answer to my request was “shut the fuck up, Roady!” At which point, I realised, with some melancholy, that the party was over.
iAs a scornful Roady, I can never resist to call someone an arse-comber. Although nobody rightfully fitted the description on that night, this kind of behaviour almost warrants labelling.
iiI know some of the more cynical readers who know me will argue that I was restless because I was not man enough to rape her. Well, I piss down your throats.

Copyright by Roady, 2001